Second Skin, Column 2 and 3, 2022
Plywood, polyester scrim, and custom silk rugs handmade in Kashmir, 90 × 90 × 32 inches (228.60 × 228.60 × 81.28 cm) each, Pictured: Weight on History, curated by Ylinka Barotto, Moody Center for the Arts, Houston, TX, Photo credit: Sean Fleming
Second Skin, Half Column 3, 2022
Plywood, polyester, and custom silk rugs handmade in Kashmir, 90 × 30 inches (228.60 × 76.20 cm), Photo credit: Sean Fleming
Second Skin, Column 5, 2022
Plywood, polyester, and custom silk rugs handmade in Kashmir
28 × 56 inches (71.12 × 142.24 cm)
Photo credit: Sean Fleming
Privacy Control, 2018
Acrylic two-way mirror, vinyl wall text, steel scaffolding mounts
8 x 8 feet
installation view, Simone Subal Gallery, NY
Photo: Dario Lasagni
Privacy Control, 2018
Acrylic two-way mirror, vinyl wall text, steel scaffolding mounts
8 x 8 feet
installation view, Simone Subal Gallery, NY
Photo: Dario Lasagni
Privacy Control, 2018
Acrylic two-way mirror, vinyl wall text, steel scaffolding mounts
8 x 8 feet
installation view, Simone Subal Gallery, NY
(to the left: Planet Fitness, 2016, 20 minute running performance set to a custom soundtrack)
Photo: Dario Lasagni
Privacy Control, 2019
Installation at BRIC Arts Media, Brooklyn, NY
Acrylic two-way mirror, steel pipes, vinyl text
16 x 8 feet
installation view, BRIC Arts Media Brooklyn, NY
curated by Elizabeth Ferrer
Photo: Benny Krown
text behind the two-way mirror install
Performance at BRIC Arts Media, Brooklyn, NY - 2019
Working with selfie culture, protection practices, and spirituality, the headlights helped to activate the visibility of the text while climbing the scaffolding behind the two-way mirror.
Performance at BRIC Arts Media, Brooklyn, NY - 2019
Volunteers from the audience were asked to hold up various curtains during wardrobe changes
Braidrage
Braidrage, 2017
99 holds for custom indoor rock-climbing wall made from dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
120 × 297 inches
installation at Participant Inc, New York, NY
Photo: Maxim Ryazansky
Braidrage, 2017
99 holds for custom indoor rock-climbing wall made from dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
120 × 297 inches
installation at Participant Inc, New York, NY
Photo: Maxim Ryazansky
Braidrage, 2017
99 holds for custom indoor rock-climbing wall made from dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
installation at Moudy Gallery at Texas Christian University, TX
organized by Sara-Jayne Parsons, in collaboration with Participant Inc, NYC
Photo: Lynne Bowman Cravens
Braidrage, 2019
99 holds for custom indoor rock-climbing wall made from dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
120 × 297 inches
installation at University Art Museum, University at Albany, NY
curated by Olga Dekalo
Photo: Ariana Sarwari
Braidrage, 2018
99 holds for custom indoor rock-climbing wall made from dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
organized by Polly Nordstrand in collaboration with Participant Inc, NYC and Moudy Gallery at Texas Christian University, TX
installation at Colorado Springs, Fine Arts Center at Colorado College
Hold, 2017
dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
Hold, 2017
dyed resin casts of the corners of the artist's body, embedded with wearable chains, hair, and hypothermia blankets
[Feat ] Dropped Ceiling
This installation took place for the Racial Imaginary Instititue in 2018. It was a lowered semi transparent flat mounted sculpture with a motorized sonic chandelier—comprised of wearable chains, speaker materials, and reflective plexi—on the ceiling at the entryway to the main galleries of The Kitchen, NYC. The shorter height meant to make the audience aware of the architectural surroundings and dampen sound.
[Feat] Lowered Ceiling, 2018
wearable chains, speaker materials, and reflective plexi—on the ceiling
installation view, entryway to the main galleries of The Kitchen, NYC
co-curated by Lumi Tan
[Feat] Lowered Ceiling, 2018
wearable chains, speaker materials, and reflective plexi—on the ceiling
installation view, entryway to the main galleries of The Kitchen, NYC
co-curated by Lumi Tan
[Feat] Lowered Ceiling, 2018
wearable chains, speaker materials, and reflective plexi—on the ceiling
installation view, entryway to the main galleries of The Kitchen, NYC
co-curated by Lumi Tan
[Feat] Lowered Ceiling, 2018
wearable chains, speaker materials, and reflective plexi—on the ceiling
installation view, entryway to the main galleries of The Kitchen, NYC
co-curated by Lumi Tan
[Feat] Lowered Ceiling, 2018
wearable chains, speaker materials, and reflective plexi—on the ceiling
installation view, entryway to the main galleries of The Kitchen, NYC
co-curated by Lumi Tan
[Feat] Lowered Ceiling, 2018
wearable chains, speaker materials, and reflective plexi—on the ceiling
installation view, basement of the Sculpture Center, Queens, NYC
curated by Allie Tepper
Karaoke Spiritual Center of Love
Karaoke Spiritual Center of Love was a site specific installation for the In Practice: Another Echo exhibition curated by Allie Tepper at Sculpture Center, Queens, NY, 2018. In this show, a dropped ceiling sculpture called [Feat.] accompanies the room. Two entrances were made available, the main entrance which was at my waist line, making you have to duck under to enter. The second was in the back of the room and was ADA approved. The dropped ceiling, seen in this photo helped create an acoustic womb for the visitors. The custom lounge unit shaped with eight unique seating panels were made from pleather, my underwear, and mass produced prayer rugs, lined with LED lighting and built in sub woofers for the sound of the karaoke songs. These Seats were designed for the site at the Sculpture Center. Fourteen unique karaoke videos were made, tracks chosen came from mostly Caribbean and South Asian pop stars. The videos made for the songs captured the original Acoustic Sound Blanket suit performed in the location of a Richard Serra sculpture placed outside of The Fort Worth Modern, a contemporary and modern art museum in Ft. Worth, Texas. As a child I grew up in the triplex of Dallas, Ft. Worth, and Denton, witnessing many modern art buildings and sculptures placed, and then there was me - in these videos I am seen under my blanket fighting and loving Richard Serra. The music chosen is in the nature of soldering and fighting for one’s existence, with love.
As one enters the room, ducking under to get in, if seated you must endure the shake, and the booty quake, of the sub-woofers placed inside the lounge unit, the cabinets. The tops of the cabinets eventually come off and are later placed on walls.
Karaoke Spiritual Center of Love, 2018
curated by Allie Tepper, In Practice: Another Echo exhibition
installation view at Sculpture Center, Queens, NY
Karaoke Spiritual Center of Love, 2018
curated by Allie Tepper, In Practice: Another Echo exhibition
installation view at Sculpture Center, Queens, NY
Karaoke Spiritual Center of Love, 2018
curated by Allie Tepper, In Practice: Another Echo exhibition
installation view at Sculpture Center, Queens, NY